Аннотация
11/22/63, Stephen Kings latest, might just be his
greatest. Seriously. At least as far as mainstream
fiction or literature goes. Yes, it is built around a
well-used SF trope, time travel, but really, the
portal to the past that Jake Epping is shown in the
back of an aluminum diner is only the launch mechanism
for this fantastic journey. There are no monsters
here, at least none that arent human and little or no
horror in the supernatural sense that KIngs constant
readers have come to know, love and expect. Even SKs
other straight fiction, Misery, Dolores Claiborne and
The Girl Who Loved Tom Gordon come to mind, had
elements of the supernatural and/or flat-out horror.
Not this time.
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